Throughout an interview for the Nationwide Theatre’s Romeo and Juliet, award-winning performer Tamsin Greig summed up what has struck her probably the most during the last 12 months of lockdown. We determined to print her response in full right here, as a separate article, as a result of it feels moderately highly effective:
I believe the factor that has struck me probably the most via this 12 months is the important nature of efficiency, which requires freelance creatives, who’ve been devastated during the last 12 months. There was no security web for them.
There has not been sufficient assist, and in lots of circumstances, there was no assist. This business has misplaced creatives. A few of which we’ll by no means ever get again. There was, and there might be a demise toll on this business, and it is a wake-up name.
Folks used to see creativity as “one thing you see within the night”, or a “distraction”. I believe what we have seen this 12 months is that creativity just isn’t a distraction. It is about our lifeblood. Demond Tutu says: “In case you inform your story and also you title your hurts, you’re starting a journey of profound psychological well being.”
To exit and see a narrative placed on stage is a coming to your self, one that claims “I’ll have interaction with my very own psychological well being”. Once we get again into theatres and interact in stay efficiency once more, hopefully we’ll see how we now have all been holding our breaths and misplaced one thing of our life – by not partaking with that act of supreme well being.
You may learn the complete interview between Greig, director Simon Godwin and co-star Fisayo Akinade here.
Greig stars in Romeo and Juliet, which is being introduced on Sky Arts’ free-to-view channel on Sunday at 9pm within the UK.